For Every Action There Is A Redaction

CRUISE FUNDRAISER UPDATE: 98/100 prints are sold!  Only 2 prints remain! I am expecting delivery of the prints any day now and they’ll start shipping as soon as they arrive.

I made a new eBook/iBook! It’s called “Sorry I Ruined Your Book Vol. 1” and it has over 180 pages of HE book 1 preorder/artist edition sketches with commentary on every drawing! Donation subscribers get it free and it’s also available to anyone for a one time “pay what you like” donation.


Welcome to my life in a 24 hour geek news cycle. I remember when I was a kid and we weren’t able to know ANYTHING about movies or tv shows until we saw the trailers or commercials. Even then the message was very carefully controlled by the studios and producers. The stars never went on Carson and dished on who they beat out for the role or how many times the show runner got fired. We just took our geek media as it was presented without the burden of behind the scenes knowledge. Often times, shows I liked would get cancelled and I wouldn’t even know until it just never came back the next season. You’d read a one sentence blurb about a new Batman or Superman movie in a Wizard Magazine, and then… nothing. No idea where it went or why it never materialized. Of course, the irony of it all is that NOW you can find the answers to all of those questions online. I know exactly why Nicholas Cage was never Tim Burton’s Man Of Steel. Honestly, I’m just grateful for that one. We, as geeks, dodged a Batman & Robin ’97 sized bullet there.

I say the intimate knowledge of the inner workings of the media I choose to consume is a burden, but I really do enjoy it. I like the anticipation that it builds, and the satisfaction of being “in the know.” The burden part comes in when too much familiarity with the “sausage-making” process of geek pop culture can lead to unrealistic expectations and eventual disappointment, either from getting your hopes up too high based on 100’s of blog posts, interviews and YouTube clips, or from prejudging a project based on any of the aforementioned data distribution methods.

All in all the lowering of the barrier to information is overwhelmingly a good thing. As consumers we now have nearly as much privilege to information as would have been reserved for the people that actually worked on the projects themselves. But there was a (now lost) purity and innocence in finding out about a movie for the first time when you saw the trailer or the poster, and then not knowing anything else about it until you were in the theater 3 months later. I think it was easier to just like things back then without having to be an expert on them.


Yippee Ki-Yay Younger Looper

Guys, I make a lot of books and t-shirts and plushies and what not and you are totally welcome to go procure some or all of that stuff for yourself or your loved ones. You can also get a a high quality print of any comic in regular or giant sized sizes.

Looper was… [ehem] SUPER DOOPER! Sorry, I had to. Thanks for being a trooper. Pooper scooper, Sterling Cooper.

Seriously though, Looper was exactly what I want from a stand alone sci-fi movie. It brings you into it’s world, quickly establishes why it’s different, how it’s futuristic, etc. then it tells a human story with the gimmick (in this case, time travel and a bit more) as the back drop. The futuristic aspects of the story are small elements of the narrative and while they make it possible, they do not overtake or even lead the story as it progresses. In Looper the characters (FANTASTIC performances by Joseph Gordon Levitt, Emily Blunt and a stunning/terrifying young boy) and their choices are the focus. So many one-shot sci-fi films get this formula backwards. It’s like someone writes a cool idea on a napkin (100 years in the future, money is all gone and people use hip hop dancing as currency), then scrambles to write another 119 pages just to make that idea take 2 hours to play out on screen.

My favorite part about Looper is that it was filled with actual “nearly didn’t see that coming” surprises. This was due mainly to the fact that the first round of trailers fooled you into thinking they were serving up the entire plot (young Bruce Willis has to kill old Bruce Willis from the future) on a silver platter, when in fact that only covers about the first half of the movie. The main story is much smaller, much more character-centric, and has nearly nothing to do with time travel. The current trailers are showing more of the 2nd half plot, but nothing that actually clues you in as to what’s going on.

As far as original sci-fi stories go, I have absolutely nothing but praise for this film. SURE, if you question the time travel premise even a little bit, the whole thing falls apart, BUT that’s why we have the old saying, “You can’t spell TIME TRAVEL BULLSHIT without BULLSHIT.” Leave it alone. Let it be. Enjoy the movie. It’s great.

Side note: The makeup effects better win somebody an Oscar. You don’t really get the full impact of JGL’s transformation into young Bruce until the two are face to face on screen for the first time. It’s rather shocking.

ADDITIONAL Side note: If you HAVE seen Looper, go read this interview with the writer where he explains many of the loose ends that might have nagged at your geek-brain.


COMMENTERS: What did you think of Looper? Also, what is your favorite/least favorite stand alone (non franchise, series, tv spin off, etc) cinematic sci-fi situation?